In the Moth series, I work from the incomplete giving meaning to something that a priori does not. I am interested in the observation of the blazing, of the free trapped, configured in a form that is both recognizable and abstract. I paid attention to an insignificant element, a moth, seeking through this observation the emergence of metaphors of the photographic language. The series, is presented in a way of an entomological study, seeks to convey a sensation of humming and discomfort, accentuated by the repetition of the sequence. I am interested in the tensions that arise between the delicate and the gross, the figurative and the abstract, the free being captured, between an individual image and the block as a functional unit. Each fragment has an individual character, which is reinforced by being placed in relation to the whole.